The Last Lovely City Read online

  ALSO BY ALICE ADAMS

  Careless Love

  Families and Survivors

  Listening to Billie

  Beautiful Girl (STORIES)

  Rich Rewards

  To See You Again (STORIES)

  Superior Women

  Return Trips (STORIES)

  Second Chances

  After You’ve Gone (STORIES)

  Caroline’s Daughters

  Mexico: Some Travels and Travellers There

  Almost Perfect

  A Southern Exposure

  Medicine Men

  THIS IS A BORZOI BOOK

  PUBLISHED BY ALFRED A. KNOPF, INC.

  Copyright © 1999 by Alice Adams

  All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York.

  www.randomhouse.com

  Some of these stories originally appeared in the following publications:

  “The Haunted Beach,” Boulevard; “Patients” and “The Wrong Mexico,” Cross Currents; “His Women,” “Old Love Affairs,” “The Last Lovely City,” “The Drinking Club,” and “Earthquake Damage,” The New Yorker; “The Islands,” Ontario Review; “The Visit,” Ploughshares; “Great Sex” and “A Very Nice Dog,” Southwest Review

  Library of Congress Cataloging-in-Publication Data

  Adams, Alice, [date]

  The last lovely city / by Alice Adams. — 1st ed.

  p. cm.

  eISBN: 978-0-307-79815-2

  I. Title.

  PS3551.D324L37 1999

  813′.54—dc21 98-14585

  Published February 15, 1999

  Second Printing Before Publication

  v3.1

  To

  Peter Adams Linenthal

  and Philip Anasovich

  with much love

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Dedication

  Part One

  His Women

  The Haunted Beach

  Great Sex

  Raccoons

  Old Love Affairs

  A Very Nice Dog

  The Visit

  The Last Lovely City

  The Islands

  Part Two

  The Drinking Club

  Patients

  The Wrong Mexico

  Earthquake Damage

  A Note About the Author

  PART ONE

  His Women

  “I think we should try it again. You move back in,” says Meredith, in her lovely, low, dishonest Southern voice.

  Carter asks, “But—Adam?”

  “I’m not seeing him anymore.” Her large face, not pretty but memorable, braves his look of disbelief. Her big, deep-brown eyes are set just too close; her shapely mouth is a little too full, and greedy. Big, tall, dark, sexy Meredith, who is still by law his wife. She adds, “I do see him around the campus, I mean, but we’re just friends now.”

  That’s what you said before, Carter does not say, but that unspoken sentence hangs there in the empty space between them. She knows it as well as he does.

  They are sitting in the garden behind her house—their house, actually, joint ownership being one of their central problems, as Carter sees it. In any case, now in early summer, in Chapel Hill, the garden is lovely. The roses over which Carter has labored in seasons past—pruning, spraying, and carefully, scientifically feeding—are in fragrant, delicately full bloom: great bursts of red and flame, yellow and pink and white. The beds are untidy now, neglected. Adam, who never actually moved in (Carter thinks), is not a gardener, and Meredith has grown careless.

  She says, with a pretty laugh, “We’re not getting younger. Isn’t it time we did something mature, like making our marriage work?”

  “Since we can’t afford a divorce.” He, too, laughs, but since what he says is true, no joke, it falls flat.

  And Meredith chooses to ignore it; they are not to talk about money, not this time. “You know I’ve always loved you,” she says, her eyes larger and a warmer brown than ever.

  Perhaps in a way she has, thinks Carter. Meredith loves everyone; it is a part of her charm. Why not him, too? Carter and Adam and all her many friends and students (Meredith teaches in the music department at the university), and most cats and dogs and birds.

  She adds, almost whispering, sexily, “And I think you love me, too. We belong together.”

  “I’ll have to think about it,” Carter tells her, somewhat stiffly.

  The brown eyes narrow, just a little. “How about Chase? You still see her?”

  “Well, sort of.” He does not say “as friends,” since this is not true, though Carter has understood that the presence of Chase in his life has raised his stature—his value, so to speak—and he wishes he could say that they are still “close.”

  But four years of military school, at The Citadel, left Carter a stickler for the literal truth, along with giving him his ramrod posture and a few other unhelpful hangups—according to the shrink he drives over to Durham to see, twice a week. Dr. Chen, a diminutive Chinese of mandarin manners and a posture almost as stiff in its way as Carter’s own. (“Oh, great,” was Chase’s comment on hearing this description. “You must think you’re back in some Oriental Citadel.”) In any case, he is unable to lie now to Meredith, who says, with a small and satisfied laugh, “So we’re both free. It’s fated, you see?”

  A long time ago, before Meredith and long before Chase, Carter was married to Isabel, who was small and fair and thin and rich, truly beautiful and chronically unfaithful. In those days, Carter was a graduate student at the university, in business administration, which these days he teaches. They lived, back then, he and Isabel, in a fairly modest rented house out on Franklin Street, somewhat crowded with Isabel’s valuable inherited antiques; the effect was grander than that of any other graduate students’, or even young professors’, homes. As Isabel was grander, more elegant than other wives, in her big hats and long skirts and very high heels, with her fancy hors d’oeuvres and her collection of forties big-band tapes, to which she loved to dance. After dinner, at parties at their house, as others cleared off the table, Isabel would turn up the music and lower the lights in the living room. “Come on,” she would say. “Let’s all dance.”

  Sometimes there were arguments later:

  “I feel rather foolish saying this, but I don’t exactly like the way you dance with Walter.”

  “Whatever do you mean? Walter’s a marvelous dancer.” But she laughed unpleasantly, her wide, thin, dark-red mouth showing small, perfect teeth; she knew exactly what he meant.

  What do you do if your wife persists in dancing like that in your presence? And if she even tells you, on a Sunday, that she thinks she will drive to the beach with Sam, since you have so many papers to grade?

  She promises they won’t be late, and kisses Carter good-bye very tenderly. But they are late, very late. Lovely Isabel, who comes into the house by herself and is not only late but a little drunk, as Carter himself is by then, having had considerable bourbon for dinner, with some peanuts for nourishment.

  Nothing that he learned at The Citadel had prepared Carter for any of this.

  Standing in the doorway, Isabel thrusts her body into a dancer’s pose, one thin hip pushed forward and her chin, too, stuck out—a sort of mime of defiance. She says, “Well, what can I say? I know I’m late, and we drank too much.”

  “Obviously.”

  “But so have you, from the look of things.”

  “I guess.�
�

  “Well, let’s have another drink together. What the hell. We always have fun drinking, don’t we, darling Carter?”

  “I guess.”

  It was true. Often, drinking, they had hours of long, wonderful, excited conversations, impossible to recall the following day. As was the case this time, the night of Isabel’s Sunday at the beach with Sam.

  Drinking was what they did best together; making love was not. This was something they never discussed, although back then, in the early seventies, people did talk about it quite a lot, and many people seemed to do it all the time. But part of their problem, sexually, had to do with drink itself, not surprisingly. A few belts of bourbon or a couple of Sunday-lunch martinis made Isabel aggressively amorous, full of tricks and wiles and somewhat startling perverse persuasions. But Carter, although his mind was aroused and his imagination inflamed, often found himself incapacitated. Out of it, turned off. This did not always happen, but it happened far too often.

  Sometimes, though, there were long, luxurious Sunday couplings, perhaps with some breakfast champagne or some dope; Isabel was extremely fond of an early-morning joint. Then it could be as great as any of Carter’s boyhood imaginings of sex.

  But much more often, as Isabel made all the passionate gestures in her considerable repertoire, Carter would have to murmur, “Sorry, dear,” to her ear. Nuzzling, kissing her neck. “Sorry I’m such a poop.”

  And so it went the night she came home from Sam, from the beach. They had some drinks, and they talked. “Sam’s actually kind of a jerk,” said Isabel. “And you know, we didn’t actually do anything. So let’s go to bed. Come, kiss me and say I’m forgiven, show me I’m forgiven.” But he couldn’t show her, and at last it was she who had to forgive.

  Another, somewhat lesser problem was that Isabel really did not like Chapel Hill. “It’s awfully pretty,” she admitted, “and we do get an occasional good concert, or even an art show. But, otherwise, what a terrifically overrated town! And the faculty wives, now really. I miss my friends.”

  Therefore Carter was pleased, he was very pleased, when Isabel began to speak with some warmth of this new friend, Meredith. “She’s big and fat, in fact she’s built like a cow, and she’s very Southern, but she has a pretty voice and she works in the music department, she teaches there, and she seems to have a sense of humor. You won’t mind if I ask her over?”

  Meeting Meredith, and gradually spending some time with her, Carter at first thought she was a good scout, like someone’s sister. Like many big women (Isabel’s description had been unkind), she had a pleasant disposition and lovely skin. Nice long brown hair, and her eyes, if just too closely placed, were the clear, warm brown of Southern brooks. With Carter, her new friend’s husband, she was flirty in a friendly, pleasant way—the way of Southern women, a way he was used to. She was like his mother’s friends, and his cousins, and the nice girls from Ashley Hall whom he used to take to dances at The Citadel.

  Meredith became the family friend. She was often invited to dinner parties, or sometimes just for supper by herself. She and Isabel always seemed to have a lot to talk about. Concerts in New York, composers and musicians, not to mention a lot of local gossip.

  When they were alone, Carter gathered, they talked about Meredith’s boyfriends, of which she seemed to have a large and steady supply. “She’s this certain type of Southern belle,” was Isabel’s opinion. “Not threateningly attractive, but sexy and basically comfy. She makes men feel good, with those big adoring cow eyes.”

  Did Isabel confide in Meredith? Carter suspected that she did, and later he found out for certain from Meredith that she had. About her own affairs. Her boyfriends.

  Although he had every reason to know that she was unhappy, Carter was devastated by Isabel’s departure. Against all reason, miserably, he felt that his life was demolished. Irrationally, instead of remembering a bitter, complaining Isabel (“I can’t stand this tacky town a minute longer”) or an Isabel with whom things did not work out well in bed (“Well, Jesus Christ, is that what you learned at The Citadel?”), he recalled only her beauty. Her clothes, and her scents. Her long blond hair.

  He was quite surprised, at first, when Meredith began to call a lot with messages of sympathy, when she seemed to take his side. “You poor guy, you certainly didn’t deserve this,” was one of the things she said at the time. Told that he was finding it hard to eat—“I don’t know, everything I try tastes awful”—she began to arrive every day or so, at mealtimes, with delicately flavored chicken and oven-fresh Sally Lunn, tomatoes from her garden, and cookies, lots and lots of homemade cookies. Then she took to inviting him to her house for dinner—often.

  As he left her house, at night, Carter would always kiss Meredith, in a friendly way, but somehow, imperceptibly, the kisses and their accompanying embraces became more prolonged. Also, Carter found that this good-night moment was something he looked forward to. Until the night when Meredith whispered to him, “You really don’t have to go home, you know. You could stay with me.” More kissing, and then, “Please stay. I want you, my darling Carter.”

  Sex with Meredith was sweet and pleasant and friendly, and if it lacked the wild rush that he had sometimes felt with Isabel, at least when he failed her she was nice about it. Sweet and comforting. Unlike angry Isabel.

  They married as soon as his divorce was final, and together they bought the bargain house, on a hill outside town, and they set about remodeling: shingling, making a garden, making a kitchen and a bedroom with wonderful views. Carter, like everyone else in the high-flying eighties, had made some money on the market, and he put all this into the house. The house became very beautiful; they loved it, and in that house Carter and Meredith thrived. Or so he thought.

  He thought so until the day she came to him in anguished tears and told him, “This terrible thing. I’ve fallen in love with Adam.” Adam, a lean young musician, a cellist, who had been to the house for dinner a couple of times. Unprepossessing, Carter would have said.

  Carter felt, at first, a virile rage. Bloodily murderous fantasies obsessed his waking hours; at night he could barely sleep. He was almost unrecognizable to himself, this furiously, righteously impassioned man. With Meredith he was icily, enragedly cold. And then, one day, Meredith came to him and with more tears she told him, “It’s over, I’ll never see him again. Or if I do we’ll just be friends.”

  After that followed a brief and intense and, to Carter, slightly unreal period of, well, fucking: the fury with which they went at each other could not be called “making love.” Meredith was the first to taper off; she responded less and less actively, although as always she was pleasant, nice. But Carter finally asked her what was wrong, and she admitted, through more tears, “It’s Adam. I’m seeing him again. I mean, we’re in love again.”

  This time, Carter reacted not with rage but with a sort of defeated grief. He felt terribly old and battered. Cuckold. The ugly, old-fashioned word resounded, echoing through his brain. He thought, I am the sort of man to whom women are unfaithful.

  When he moved out, away from Meredith and into an apartment, and Chase Landau fell in love with him (quite rapidly, it seemed), Carter assumed that she must be crazy. It even seemed a little nuts for her to ask him for dinner soon after they met, introducing themselves in the elevator. Chase lived in his building, but her apartment, which contained her studio, was about twice the size of Carter’s and much nicer, with balconies and views. “I liked your face,” she later explained. “I always go for those narrow, cold, mean eyes.” Laughing, making it a joke.

  Chase was a tall, thin, red-haired woman, not Southern but from New York, and somewhat abrasive in manner. A painter of considerable talent and reputation (no wonder Meredith was impressed). Carter himself was impressed at finding inquiries from Who’s Who lying around, especially because she never mentioned it. In his field, only the really major players made it.

  Her paintings were huge, dark, and violent abstractions, incomprehen
sible. Discomforting. How could anyone buy these things and live with them? As they sat having drinks that first night, working at light conversation, Carter felt the paintings as enormous, hostile presences.

  Chase was almost as tall as Carter, close to six feet, and thin, but heavy-breasted, which may have accounted for her bad posture; she tended to slouch, and later she admitted, “When I was very young I didn’t like my body at all. So conspicuous.” Carter liked her body, very much. Her eyes were intense and serious, always.

  As they were finishing dinner she said to him, “Your shoulders are wonderful. I mean the angle of them. This,” and she reached with strong hands to show him.

  He found himself aroused by that touch, wanting to turn and grasp her. To kiss. But not doing so. Later on, he did kiss her good night, but very chastely.

  Used to living with women, with Isabel and then with Meredith, Carter began to wonder what to do by himself at night. He had never been much of a reader, and most television bored him. In the small town that Chapel Hill still was in many ways, you would think (Carter thought) that people knowing of the separation would call and ask him over, but so far no one had. He wished he had more friends; he should have been warmer, kinder. Closer to people. He felt very old, and alone. (He wondered, Are my eyes mean? Am I mean?)

  He called Chase and asked her out to dinner. “I know it’s terribly short notice, but are you busy tonight?”

  “No, in fact I’d love to go out tonight. I’m glad you called.”

  His heart leaped up at those mild words.

  During that dinner, Chase talked quite a lot about the art world: her New York gallery, the one in L.A., the local art department. He listened, grateful for the entertainment she provided, but he really wasn’t paying much attention. He was thinking of later on: would she, possibly, so soon—

  She would not. At the door, she bid him a clear good night after a rather perfunctory social kiss. She thanked him for the dinner. She had talked too much, she feared; she tended to do that with new people, she told him, with a small, not quite apologetic, laugh.